My next Blur book...title change?

I posed this question on the Facebook and Twitter pages, but I've been mulling over whether or not to change the title for my next Blur book. On one hand, I feel like the title is established and would help with exposure for the new book. On the other hand, since it is expanded and includes some new material (in the way of ticket stubs, passes, etc), it could be considered a different beast and thus may benefit from a new title.

What do you think?

SHOW: Cotton Club, Atlanta, Georgia March 17, 1997

Here's a show from Blur's spring US Tour in 1997, performing the brand new self-titled album in America for the first time on these dates. This is the complete show, which is somewhat rare to find (most sources cut off before or during the encores). Enjoy!

http://www.megaupload.com/?d=FNAHN7PD

Blur's Greatest Gigs?

Recently, NME published an article listing its "100 Gigs You Should Have Been At." First, a disclaimer...I haven't read the article myself as it seems to be only in the print edition, and I only read the free online edition. However, it has been discussed on the Blur message boards and apparently only two Blur gigs showed up on the list (three, technically, if you count the fact that they were part of the Rollercoaster Tour package in 1992, but NME only singled that show out because of My Bloody Valentine). The two Blur concerts they mentioned were the Gimme Shelter gig from 1992 (available HERE) and the Hyde Park shows from 2009 (commercially available). That started quite a debate on the forums, and I thought I'd expand on it here. So my question to you fellow fans is:


What do you consider to be the greatest Blur gigs ever?

Let me first say that by asking this question, I'm not talking about which are the best shows necessarily. We all know that, for instance, the Iceland show from late 1996 is a great concert because the band was very relaxed and previewed a lot of new material from their upcoming self-titled album. However, it's not one of those LEGENDARY gigs where everyone wishes they had been there, the way, say Woodstock in 1969 is. In my opinion, not only does the NME not have enough Blur gigs on it, but even if we accept they only get two spots, the two NME listed are, in my opinion, far from the ones any of us hardcore fans *should* have been at. So which gigs do I think would have been better choices for this list? Please note that this list is purely subjective and purely my opinion. Furthermore, I could come up with probably over 20 gigs, but I'm going to try and stick to the ones that even casual Blur fans would probably agree would have been ones they'd have loved to have been at.

Reading Festival 1993

Glastonbury 1994

Ally Pally 1994

Mile End 1995

Astoria 1997

B-Sides Show 1999

Singles Night 1999

Glastonbury 2009

That's my list, and I can expand further on my choices if you'd like me to, just ask in the comments. What's your list?

Back at it in March!

Whew! I know I hardly updated this site at all in February...I was busy working on my own musical project, which I released on March 1.

Now that that's finished, I intend to get back to devoting myself to this here site and updating it with info and goodies for all of you loyal readers. So stay tuned!

SHOW: 86th St., Vancouver, British Columbia, Canada 5/8/92

Here is the only other show that exists from Blur's 1992 American Tour (the other one is HERE).

ENJOY!


http://www.megaupload.com/?d=1NECBXDP

I Need *YOU*

(SPECIAL THANKS to my friend Michael C. for customizing the above photo for me!)

I'm hard at work on the manuscript for the expanded next version of the book and working hard at getting a proper publisher. In the meantime, I'm awaiting a couple more batches of recordings from friends, but I'm always in need of more material to make the book and entire archiving project as detailed and complete as possible.

Everyone who reads this blog, the Facebook or Twitter pages, or my book, and has contacted me to donate recordings, ticket scans, etc, has been incredible and I appreciate and thank you for your kindness and generosity with the utmost in wholehearted sincerity.

With that being said, I'm making one last push over the next few months to compile as much as I can before I begin really flogging this around to different publishers (some of whom have already expressed interest). So...

...if you have ANY live recordings (see list below) that are on the list, or even if they aren't, and would be willing to donate/trade a copy to me for inclusion in the book, please contact me, it would be HUGELY appreciated. Some of these I am awaiting copies of, but the rest I'm still trying to get a hold of.

The same goes for any scans of ticket stubs to Blur concerts you've attended.

Your name will go in the back of the book on a special "THANK YOU" section that already has loads of names on it.

The list of KNOWN recordings (if you have these or any other, please contact me):

3/30/90 Falcon, Camden, London
5/16/90 Sir George Robey, London
5/19/93 Dolce Vita, Lausanne, Switzerland
5/23/93 Washington Heights, Reading
5/29/93 University, Manchester
8/7/93 Estádio José Bento Pessoa, Figueira da Foz, Portugal
11/3/93 Dynamo, Zurich, Switzerland
4/24/94 Casemates, Mons, Belgium
5/16/94 Plaza, Glasgow
5/23/94 Event Centre, Brighton, England
5/24/94 University, Reading, England
6/25/94 Old Trout, Windsor. England
7/9/94 Lummen Festival, Belgium
7/30/94 T in the Park Festival, Scotland
9/19/94 Masquerade, Atlanta
9/24/94 The Palace, Los Angeles
9/25/94 The Fillmore, San Francisco
7/7/95 Les Eurockeenes Festival, Belfort, France
10/25/94 La Bataclan, Paris, France
11/1/94 Christiana, Copenhagen, Denmark
6/10/95 Sonoria Festival, Milan, Italy
10/3/95 Metro, Chicago
11/9/95 NHK Hall, Tokyo, Japan
11/28/95 SECC, Glasgow, Scotland
12/11/95 SECC, Glasgow, Scotland
1/26/96 Moe’s, Seattle
2/26/96 Aqualung, Madrid (full show)
3/13/96 Teatro Tenda, Florence, Italy
3/18/96 Capitol, Hannover, Germany
1/27/97 Town and Country Club, Leeds, England
2/15/97 Divan du Monde, Paris, France
4/10/97 Grosse Freiheit, Hamburg, Germany
4/11/97 Arena, Berlin, Germany
5/14/97 Sports Hall, Cesena, Italy
5/26/97 Budokan, Tokyo, Japan
6/10/97 Electric Factory, Philadelphia
6/18/97 Showbox, Seattle
6/22/97 Ogden Theatre, Denver
6/26/97 Riviera, Chicago
6/27/97 Clutch Cargos, Detroit
8/8/97 Sudoeste Festival, Herdade da Casa Branca, Odemira, Portugal
8/14/97 Water Festival, Sweden
9/13/97 Orpheum, Boston (w/soundcheck)
10/14/97 County Bowl, Santa Barbara, California
11/8/97 MBK Hall, Bangkok
1/30/99 Depot Studios, London
3/30/99 Roseland Ballroom, NYC
4/1/99 Mayan Theatre, LA
6/20/99 Heineken Music Festival, Imola, Italy
7/31/99 Fuji Rock Festival, Japan (full show)
8/26/99 Goldsmiths College, London
11/18/99 Metrolpolitan Theatre, Mexico City (full show)
11/21/99 Credit Card Hall, Sao Paulo, Brazil (full show)
11/23/99 Metropolitan, Rio De Janeiro, Brazil
6/16/03 Wiltern Theatre, Los Angeles
6/19/03 Roseland Theatre, Portland
6/20/03 Showbox, Seattle
6/21/03 Vogue Theatre, Vancouver, Canada
7/23/03 Metropolis, Montreal, Canada
7/24/03 Theatre of the Living Arts, Philadelphia
7/26/03 Tabernacle, Atlanta
10/13/03 Circus, Stockholm (full show)
11/9/03 Gasometer, Vienna, Austria
11/22/03 Barrowlands, Glasow
7/12/09 T in the Park Festival, Scotland (full show)

Any correspondence with me will be kept confidential, and again, beforehand, I offer everyone a big...

THANK YOU!

Archiving has begun!

For the last couple of weeks, I've begun working on archiving all of my live Blur shows to lossless digital for storage. I've done from 1989 up to about halfway through 1994. It got me thinking, do I really need all of the physical CD copies now? I'm leaning toward *YES* since I want to have a physical back-up in case, God forbid, I have any computer issues.

What do you think?

B-Sides Live

One thing we Blur fans know very well is the wealth of material Blur have given us on the b-sides of their singles throughout their career. There are loads of amazing tracks on the b-sides, and you could definitely make at least a couple of album's worth of discs just using the very best songs. Since many of these songs rank as some of the fan's favorites, I thought it'd be interesting to look at how often Blur performed any of their b-sides in concert, and which songs. While the b-sides performed were detailed in Black Book corresponding to whichever show they were played at, this little article will aim to take a more general overview of the b-sides in a live setting.

First, below is a list of all of Blur's b-sides, along with the ones that were actually played live (highlighted in BOLD font):

***NOTE that b-sides that were also album tracks have been removed, as have remixes or alternate versions***

Down
Inertia
Mr Briggs
I'm All Over
Won't Do It
Day Upon Day
Explain
Luminous
Berserk
Uncle Love
Mace
Badgeman Brown
I'm Fine
Garden Central
Headist/Into Another
Hanging Over
Peach
Bone Bag
When The Cows Come Home
Beachcoma
Young & Lovely
Es Scmecht
My Ark
Maggie May
Never Clever
Dizzy
Fried
Shimmer
Long Legged
Mixed Up
Tell Me Tell Me
Daisy Bell
Let's All Go Down The Strand
Magpie
Anniversary Waltz
People In Europe
Peter Panic
Threadneedle Street
Got Yer!
Beard
Supa Shoppa
Theme From An Imaginary Film
Rednecks
Alex's Song
One Born Every Minute
Ultranol
No Monsters In Me
The Man Who Left Himself
Tame
Ludwig
The Horrors
A Song
St. Louis
All Your Life
A Spell For Money
Woodpigeon Song
Dancehall
Bustin' & Dronin'
Get Out of Cities
Polished Stone
Swallows in the Heatwave
All We Want
French Song
So You
Beagle 2
Black Book
7 Days
Money Makes Me Crazy
Tune 2
Don't Be
The Outsider
Morricone

As you can see, the lion's share of the b-sides played come from the early part of Blur's career (pre-1994 and Parklife). Indeed, during this period they played a lot of b-sides live,as many of the b-sides were originally intended as album tracks before being bumped onto the singles. After superstardom in 1994, the b-sides played became more sporadic, and in actuality the list is a bit misleading as the majority of the later b-sides were only played at the legendary one-off B-Sides concert in London in September 1999. Apart from Swallows in the Heatwave and Inertia in 1997 and Fried in 1999, Blur's set has remained devoid of b-sides since 1994 (apart from Supa Shoppa, which was played virtually non-stop during the mad BritPop/Blurmania period of '94-'96). As I recently posted on the official Facebook page, it would be great to hear some b-sides played if/when Blur ever tour again, just to flesh out the set and throw a bone to the longtime fans who know these songs as well, if not better, than any of the singles and album tracks.

To finish up, I'll list my favorite b-sides, in no particular order (if I've forgotten any, I'll add them as I remember). Please share with us your own favorites in the comments section!

My favorite b-sides:

Inertia
Day Upon Day
Won't Do It
Magpie
Headist/Into Another
Luminous
Hanging Over
Young and Lovely
No Monsters in Me
Ultranol
All We Want
All Your Life
Black Book
Morricone
The Outsider
So You
I'm Fine
I'm All Over
Mace
Tame
Polished Stone
Threadneedle Street
Bone Bag
Peach
Explain
My Ark
Mixed Up
The Man Who Left Himself

What a killer album or two those songs could make...better than most bands' album tracks!

Happy New Year!

Happy New Year, everyone! I hope you all have a fun and safe celebration tonight and tomorrow, and may 2011 bring us all more happiness, laughter, love, and music, all shared with family and friends!

A Behind-the-Scenes Look at Hunting Down Blur Recordings

***DISCLAIMER*** LONG ARTICLE ALERT!

Also, I think I'm going to make this the first in a series of articles on the collecting/detective work that goes on behind tracking down rare and uncirculated Blur recordings. What do you think? Would this be interesting to you?

A poster on the Facebook page recently expressed interest in an article talking about what goes in to tracking down rare and uncirculated live recordings of Blur. I agreed with him that this would make a great idea for an article…I felt that it could offer insight into the meat of a project like this, which is, of course, the music. Also, as a collector myself, I always enjoy hearing these “behind-the-scenes” stories and I figure most other people would as well. Right up front, however, I’ll just mention that I am going to leave names and specifics out of this article, since a lot of the collectors/tapers I deal with like to remain behind the curtain, so to speak, and I’ll honor that (you’ll see that honor is quality that important as a collector…patience is another one, and we’ll get to that later!) and thus they’ll remain anonymous.

First, a bit of background: I grew up as a huge music fan and always enjoyed live albums in addition to the studio ones. However, it wasn’t until the mid-1990s, when I was finishing up high school, that I had my first exposure to bootlegs and live recordings. I was browsing the Led Zeppelin bin at my local record store at the time (In Your Ear Music in Plymouth, New Hampshire, sadly defunct) and found a CD called “White Summer” which I had never heard of. On the back it said “Recorded live at the BBC Playhouse Theatre in June 1969.” I promptly bought it and went home to listen to it and was astounded at the quality of the performance (I was also spoiled by the fact that it was a pristine soundboard recording, as most bootlegs sound far inferior!). It blew my mind because the only official Led Zeppelin live document (at the time) was the The Song Remains the Same album, and this was a world apart and had different songs. Some months later I was in another now-defunct record store in Dover called The Lost Chord, and the fellow had a box set of Beatles CDs called Unsurpassed Masters Vols. 1-7. Again, I had never heard of these and bought them. When I got home I realized these were studio outtakes and unreleased tracks, and some of the stuff on them was truly amazing. From here it grew to buying bootleg tapes and CDs from vendors at the local universities (including my own…yes, they used to sell bootlegs at colleges!) until, with my first exposure to the internet in 1997, I began tape trading and later on, CDR trading. As the years went by, technology advanced to the point we’re at today with torrents and online uploading and swapping of digital files…I still engage in the odd CDR trade here or there, but for the most part, snail mail trades are dead.

All of this brief background brings me to the gist of this article…tracking down and acquiring rare and/or uncirculated recordings. Because what ends up happening when you collect any band long enough is that, eventually, you end up getting a hold of everything that is available, but you know there is more out there, so the search begins. In the days before the internet, it was quite a challenge since everything was done by word of mouth or through the mail. Nowadays, it’s much easier (although it’s not *easy*) to search stuff out. Learning about the existence of rare tapes and figuring out who has them can happen many different ways:

1) A person who you’ve traded with already has some rare stuff they decide to let you know about and share it. This happens fairly often, where someone had been holding something back and will eventually let you know they have it and offer to trade it. Quite often, there will be conditions attached, such as not being able to tell anyone where you got it, not being allowed to share it out yourself, and so on. It’s always a good idea to honor these requests, as it’s the right thing to do from an honor standpoint, and also it shows that you’re trustworthy and keeps the tape pipeline open.

2) Someone you trade with knows someone. This happens quite a lot, too. Once you’ve become known as a serious collector of a band, a lot of time a trading partner will know someone (either personally or through their own trading circles) who has rarer stuff. These interactions can either be tricky or relatively smooth depending on how receptive the person your contact knows is to sharing with a stranger at first. I’ve been lucky in that every instance I’ve had this type of dealing, my collecting counterpart has always been very friendly and eager to share.

3) A kind and generous soul contacts you, offering a rare tape. This happens quite a lot, as well, although only since the advent of the internet. One thing I’ve been blessed with while working on my Blur book project (and my own collection) is this type of interaction, many times over. Whether they’ve contacted me via email, my blog, the Facebook or Twitter page, or just randomly, many kind souls have offered me recordings. I always offer something in return, but more often than not, despite my insistence, they decline, saying they don’t want anything in return. These are the best kind of people, willing to share with you simply to help out!

4) The last type of person you’ll deal with is someone who you contact out of the blue. Often times I’ll find these people’s lists while trawling the internet looking for shows. Sometimes it’s someone I used to trade with year ago who won’t remember who I am. It could be someone on DIME or another torrent site who seems to have some rare stuff, so I’ll send them an email, or they could be listed at a database site like Tape Trader or Etree. In any event, this is the hardest type of person to deal with since you have no idea what they’re like beforehand, and you’re contacting them out of the blue. I’ve found over the years that you need to be gracious, humble, and not too eager…I know in the past I’ve scared off quite a few potential trading partners by being too overeager and pushy, at times. The key here is to give them space and approach gently until you get to know them. I would say 95% of the people I’ve dealt with in this fashion have ended up being really cool and easy to deal with. The other 5% either ignore you, stop replying to your emails after agreeing to a trade (which is so aggravating!), or tell you in no uncertain terms to f**k off!

So the type of interactions I typically have in tracking down these Blur recordings are summarized for the most part above. I should add that, thanks to the internet, while the vast majority of these people hail from the UK and USA, I’ve also dealt with people all over the world, from Europe, Russia, Japan, Australia, Canada, South America, and so on.

I mentioned how it pays to be honest in your dealings with trading partners, especially those who are sharing out rarer material. This means don’t stiff anyone on a trade, keep the lines of communication open, and so on. There is one other quality that is ESSENTIAL and one I’ve gotten better at over the years: PATIENCE.

It can be excruciatingly slow sometimes to trade with some collectors. Oftentimes they’re very busy with work and their life and have to fit in your wants when they can. Some people don’t respond to emails for a long time. And some people are just SLOW. I’m currently in the middle of a trade I started in April of 2010 with a fellow…it was a small trade, 3 shows. I sent him the shows he wanted from me in April. I’ve gotten one from him and am *still* waiting on the other 2, which need to be converted from cassette to WAV. And, to top it all off, this fellow goes months in between replying to my emails. It’s frustrating, but I have to keep my cool and stay polite and patient. In the end it will be worth it. There was another fellow who promised to send me a rare tape, with nothing in return, in May 2010. He even asked for my address so he could send it right out. Not only do I not have the tape, I’m still waiting to hear back from him (he hasn’t responded to any emails). Some people have gone so far as to set up trades with me and, after emailing back and forth for over a year, have stopped responding. There are two great fellows I’m trading with right now who are taking a while, but that’s because they’re busy with life/family/work, and I know they’re doing a favor for me by taking the time to convert their tapes and send them to me…you guys know who you are if you’re reading this, and I thank you! In fact, that goes for everyone I’ve traded with since 1997, and everyone who has sent me ANYTHING for my collection and for the Black Book project. Without you it wouldn’t be nearly as detailed, complete, or fun!

I’ll end this article, for now, and leave you with a little (and true) anecdote. About 8 years ago, when I was a graduate student, I found a trading website run by a fellow from Australia. He had a few rare Blur tapes I’d never known about, ones he had recorded himself. I emailed him to set up a trade, and he had said he could do that, and instead of sending him tapes, could I buy him something off of eBay and have it shipped to him (he’d cover postage, but he wanted to get a better deal on the currency exchange rate…sounded reasonable to me). However, my wife and I were newlyweds and really strapped for cash at the time, so I said I couldn’t do it at the moment, but how about a trade in a few months. He said sure, no problem. Then I never heard from him again. Fast forward to 2009. Every few months since 2002 I had continued to send a gentle “hello” and reminder email to the fellow’s email address. It never bounced back, but I assumed he never used it anymore. And then, in 2009, a few months before I published Black Book, he replied! He’d been getting my emails and had always meant to write back but forgot and had just been so busy with life. He gladly agreed to trade the recordings to me, and within weeks I had the tapes I’d been pining away for since 2002. While most of the time, if you miss out on a trade, it’s gone forever, this was one of those rare, happy times where dogged persistence paid off. I’m currently doing the same thing with another tape I’ve had my eye on since 2001…I last heard from the fellow in March 2010, so we’ll see how that one ends. ;-)

Special thanks to Jon Muller from the Facebook page, who mentioned he'd be interested in reading about this subject. I thought it was a great idea for an articleand I hope you do, too!

SHOW: Music Hall, Cologne, Germany June 16, 1993

Here's Blur's show from Cologne, Germany in 1993. Great show, nice sound, and it's always nice to hear something from 1993, when everything started clicking for Blur and they were on their way to the top. Enjoy!

http://www.megaupload.com/?d=RZTE9DF8

More tour programme photos uploaded!

I've just uploaded photos of Blur's 2009 Summer Reunion Tour Programme to the Facebook page HERE. Check them out and hope you like them!

If you have any Blur tour programmes you're willing to part with, please let me know (I collect them).